THE ROLE OF MUSIC IN CULTURAL IDENTITY AND SOCIAL MOVEMENTS: A SYSTEMATIC LITERATURE REVIEW
Kata Kunci:
cultural identity, music, social movements, powerful medium, bibliometric analysisAbstrak
This systematic literature review explores how music functions as a powerful medium for cultural identity construction and social movement mobilization. Drawing from 45 peer-reviewed studies published between 2000 and 2024, the review synthesizes findings across diverse disciplines including ethnomusicology, cultural studies, and digital media research. Using the PRISMA methodology and VOSviewer bibliometric analysis, this study identifies three major thematic domains: music’s role in life-course identity development, its function in preserving and transmitting cultural heritage, and its evolving significance in digital activism. The results highlight music’s dual capacity to express personal narratives and strengthen communal ties through ritual, protest, and digital performance. Additionally, the review uncovers methodological gaps and calls for more integrative research that includes non-Western frameworks and underrepresented communities. The findings have implications for educators, policymakers, and practitioners seeking to harness music’s transformative potential in education, cultural preservation, and sociopolitical engagement. Ultimately, this study affirms that music is not merely an artistic expression but a socially embedded practice that shapes how people understand themselves and their communities in both analog and digital contexts.
Referensi
Aksoy, O. (2019). The Soundtrack of social movements among Kurdish alevi immigrant from Turkey in Germany. Journal of Ethnic and Cultural Studies, 6(2), 57–67. https://doi.org/10.29333/ejecs/253
Bennett, A. (2004). Consolidating the music scenes perspective. Poetics, 32(3–4), 223–234. https://doi.org/10.1016/j.poetic.2004.05.004
Bergh, A. (2007). I’d like to Teach the World to Sing: Music and Conflict Transformation. Musicae Scientiae, 11(5), 141–157. https://doi.org/10.1177/10298649070110S207
Botstein, L. (2005). Art and the state: The case of music. Musical Quarterly, 88(4), 487–495. https://doi.org/10.1093/musqtl/gdk007
Collin, R. (2013). Songwriting and Activism: A Young Singer’s Efforts to Write Himself into the Traditions of an Activist Group. Social Movement Studies, 12(4), 448–465. https://doi.org/10.1080/14742837.2013.779455
Coman, C., Meseșan-Schmitz, L., Dobrescu, A., & Bătrânu-Pințea, V. (2024). How did the Beatles impact cultural movement on different generations? Frontiers in Communication, 9. https://doi.org/10.3389/fcomm.2024.1525016
Derbaix, M., & Korchia, M. (2019). Individual celebration of pop music icons: A study of music fans relationships with their object of fandom and associated practices. Journal of Consumer Behaviour, 18(2), 109–119. https://doi.org/10.1002/cb.1751
Eyerman, R. (2002). Music in movement: Cultural politics and old and new social movements. Qualitative Sociology, 25(3), 443–458. https://doi.org/10.1023/A:1016042215533
Gracyk, T. (2013). Meanings of songs and meanings of song performances. Journal of Aesthetics and Art Criticism, 71(1), 23–33. https://doi.org/10.1111/j.1540-6245.2012.01538.x
Guerra, P. (2015). Flying away: Electronic dance music, dance culture, psytrance, and new sounds in Portugal. In Exploring Psychedelic Trance and Electronic Dance Music in Modern Culture (pp. 307–335). https://doi.org/10.4018/978-1-4666-8665-6.ch013
Kalyani, K. (2024). Music as an Anti-Caste Counterpublic: Notes From North India. Social Change, 54(2), 229–242. https://doi.org/10.1177/00490857241252697
Krüger, S., & Trandafoiu, R. (2013). The globalization of musics in transit: Music migration and tourism. In The Globalization of Musics in Transit: Music Migration and Tourism. https://doi.org/10.4324/9780203082911
Larsen, G., Lawson, R., & Todd, S. (2010). The symbolic consumption of music. Journal of Marketing Management, 26(7–8), 671–685. https://doi.org/10.1080/0267257X.2010.481865
Özer, D. (2024). Music, Protest and Social Inclusivity: The Case of Ahmet Kaya as a Deviant Example of Protest Music in Turkey. Musicologist, 8(2), 233–267. https://doi.org/10.33906/musicologist.1282341
Péteri, L. (2019). Mahler: Music, reception, identity. Studia Musicologica, 60(1), 219–242. https://doi.org/10.1556/6.2019.00011
Pieslak, J. (2024). Emotion and white-power music. Dynamics of Asymmetric Conflict: Pathways toward Terrorism and Genocide. https://doi.org/10.1080/17467586.2024.2442105
Revill, G. (2000). Music and the politics of sound: Nationalism, citizenship, and auditory space. Environment and Planning D: Society and Space, 18(5), 597–613. https://doi.org/10.1068/d224t
Roy, W. G. (2002). Aesthetic identity, race, and American folk music. Qualitative Sociology, 25(3), 459–469. https://doi.org/10.1023/A:1016094232372
Shaw, J. J. A. (2018). From Beethoven to Bowie: Identity Framing, Social Justice and the Sound of Law. International Journal for the Semiotics of Law, 31(2), 301–324. https://doi.org/10.1007/s11196-017-9533-x
Tapia, R., & Mendoza, B. (2022). Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993–2003. Metal Music Studies, 8(2), 143–161. https://doi.org/10.1386/mms_00072_1
Tickner, A. B. (2008). Aquíen el Ghetto: Hip-hop in Colombia, Cuba, and Mexico. Latin American Politics and Society, 50(3), 121–146. https://doi.org/10.1111/j.1548-2456.2008.00024.x
Wood, R. T. (1999). The indigenous, nonracist origins of the American skinhead subculture. Youth and Society, 31(2), 131–151. https://doi.org/10.1177/0044118X99031002001
Yangzom, D. (2016). Clothing and social movements: Tibet and the politics of dress. Social Movement Studies, 15(6), 622–633. https://doi.org/10.1080/14742837.2016.1213163
